Excerpt from an interview with Michael Snow by Jonathan Rosenbaum (15th May 1981 -Film Comment)
Did you have certain editing principles worked out before you shot anything?
Yes — I was looking for certain things, and I was going to try to work with the subjects, but also kinds of space and kinds of movement, like curves, ups and downs — to work with that. And the principle I had was to try to have whatever method that would isolate or individuate each shot as much as possible, and make as little commentary on the cut as possible, except in terms of space — so that, for example, it would jump from being a deep space thing to being a surface thing.
I tried to stay away from too many ironic commentaries of one shot following another. The thing was, as i got going, that set up too much of a system, and I had to say now I was going to break that system. And I wanted to make a fairly even dispersal of all the material I had so that the connections would be made over long periods of time. Yet that also became too much of a pattern, so I had to cluster and then say I wasn’t going to cluster. It was a strange editing job.